“I don’t know if he’s a genius or a brilliant madman... (We Used to Cut the Grass #2) surprises, it disorients, as much as it captivates. Have we ever seen a band cover such a rich palette?” - Prog Critique, August 2025
“McCorry thrives on contrast... (We Used to Cut the Grass #2) is a kaleidoscopic statement that re-imagines what a jazz fusion record can encompass.” - All About Jazz, November 2025
Cody McCorry is a composer, arranger, recording artist and internationally touring performer based in Asbury Park, NJ. He tours and performs his works with his own shapeshifting experimental ensemble, We Used to Cut the Grass, who have released two full length albums to date. He also works as a bassist and co-composer in several active projects ranging from mathcore to traditional jazz, in addition to composing for film and television and regularly freelancing on electric & upright bass, tuba, theremin and hand saw. He is a published author of three books of music for electric bass, and his 2019 full-length release with Thank You Scientist, Terraformer, charted at #73 overall and #8 in the Alternative charts on Billboard. Prior to that, his release with Karmic Juggernaut, The Dreams That Stuff Are Made Of, won an Independent Music Award for Best Funk/Fusion/Jam album. He also wrote the original score for Human Kind Of, an animated series which was nominated for Best General Audience TV Production at the 2019 Annie Awards. His own large ensemble, We Used to Cut the Grass, released their critically acclaimed debut album in 2022, which was later picked up by Needlejuice Records. In 2023, Cody took up the role of touring bassist with legendary NJ mathcore band The Number Twelve Looks Like You. Cody has since scored the video game Gravity Platform for iOS, the animated short Nice You Meet Me, and has most recently independently released his second album of compositions, We Used to Cut the Grass #2, including a full orchestra piece in collaboration with the Sofia Session Orchestra in Sofia, Bulgaria.
Cody is an endorsing artist for Mayones Guitars & Basses, Ryan Thompson Basses, Darkglass Electronics, Fusion Bags and Babicz Full Contact Hardware.
playing an experimental instrument I built at the Brighton Bar
recording a half-baked Stravinsky arrangement at 22
bass & theremin combo at the Williams Center
touring with The Number 12 Looks Like You
for some reason I’ve played multiple wedding ceremonies on theremin
opening for Joshua Redman with Steve Bryant